7 new songs are ready to challenge the 50 songs on the LGBTQ Music Chart from Monday. For the challengers for next week chart, we had over 30 submitted songs to choose between, but still only 7 available spots. You can vote on these songs from Monday – here is the voting page.
Greyson Chance – «Hellboy»
With over 100 million Youtube views, multiple world tours, and over ten years of industry experience under his belt at age 23, singer-songwriter and piano aficionado Greyson Chance is a rare breed of the modern pop entertainer.
Benzito – «All Night»
Mercedes Steele aka Benzito is a independent female recording artist/songwriter, Born and raised in Toronto,Ontario also knowingly called «The 6ix».
Sergi Ibor – «Todo»
Sergi Ibor is a Spanish artist, singer, composer and producer.
SonicFluxx – «Will I»
Christopher Ramon Wade, professionally known as SonicFluxx , was born and raised on the east coast of Central Florida – home of many entertainers, musicians and bands such as Jim Morrison, Debbie Harry, NSYNC and Backstreet Boys.
The Cosmic Twins – «Silver Bullet»
Their Spotify profile says : twinning is winning 👾👾 basically… . They were favourited to win Denmark’s selection for Eurovision, but they didn’t conquer Danish Melodi Grand Prix, but now they got the chance to top LGBTQ Music Chart instead….
Bentley Robles – «Cool Boy»
Bentley Robles is a pop prince on the rise.
Joel Christian – «Feel Alive»
Joel Christian is a singer, stylist, and performance artist based in Los Angeles. Joel began writing music at the age of 14 and has continued to pave his own identity through the entertainment industry.
«OUTED ON FRIDAY!»
This playlist are updated every Friday with new music – so it might not reflect the artists mention above. Like it, so you don’t miss out on brand new music! Only songs that is released on YouTube and Spotify can be added to the LGBTQ Music Chart.
«Agony» is the latest addition to his catalogue that explores the duality of the highs of love vs the dark realities of heartbreak. Never one to shy away from the absurd, Dean intentionally designed all imagery around the single to draw attention to the colourful and «picturesque» moments captured but with hints of decay and rot seeping in background, such as insects appearing on his face and hands.